Hollywood must have been chomping at the bit to tell the story of disgraced Republican lobbyist Jack Abramoff.

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Today’s filmmakers relish the chance to bring down GOP-friendly targets and aren’t above twisting the facts to do so. Consider Fair Game, the new film which buries the identity of the leaker in the Valerie Plame case until the film’s waning moments, the better to slander folks like Karl Rove and Scooter Libby. Roger L. Simon and Lionel Chetwynd dubbed it “Hollywood’s Most Untruthful Film of the Year,” in a recent edition of their Poliwood show on PJTV.

And the 2008 film W. portrayed a two-term Republican president as a notch or two above a dunce.

Abramoff doesn’t deserve our sympathy. The super-lobbyist swindled Native American tribes out of millions and managed to make dirty politics even dirtier with his fiscal high jinks.

So it’s fascinating to see Casino Jack, a film that dares to make Abramoff a flawed but very human character. Yes, the new film demonizes the figures swirling around the scandal and makes sure not to slam the Democrats who got caught up in the scandal. But Casino Jack entertains first and foremost, something the aforementioned films couldn’t be bothered to do.

Two-time Oscar winner Kevin Spacey stars as Abramoff, a well connected lobbyist whose ambitions far outstrip his moral code. His work on behalf of Native American tribes takes a nasty turn when he realizes he can charge exorbitant fees in exchange for his political connections.

He’s egged on by his right-hand man Mike Scanlon (an oily Barry Pepper) and the chance to live a life that’s anything but mediocre. Spacey delivers a telling monologue in the film’s opening scene that shows Abramoff’s inability to accept anything save greatness.

Abramoff’s schemes start to pay off, but his ego and bank account aren’t satisfied. He learns of a floundering Florida casino and enlists a shady businessman (Jon Lovitz) to help revive it. Lovitz’s post-Saturday Night Live career has been fitfully creative at best. Here, he’s perfectly cast as the kind of moral cretin who sometimes succeeds in our culture — for a while.
(Fred Claus) and commercial duds (Beyond the Sea). Here, he summons all his considerable charisma to give Abramoff a dignity other actors couldn’t convey.

“I’m Jack Abramoff, and I work out every day,” is one of the character’s mantras, and Spacey makes it sound almost noble.

Other film treatments might have spent two full hours demonizing Abramoff, but here we watch him pour money into a Jewish school and explore other philanthropic goals. The film doesn’t detest Abramoff, per se. It’s more fired up about the political system which gave rise to Abramoff and his goon squad.

Even conservative audiences might disagree with the tactic — Abramoff hurt not just innocents but his own party, helping the “Culture of Corruption” charges stick in the minds of many voters. But making the character multi-dimensional keep the film afloat.

Jeffrey R. Smith’s take on Grover Norquist, by comparison, is one-dimensionally callous. And Scanlon comes off only slightly better, with Pepper imbuing the character with a take-no-prisoners energy that’s both horrifying and oddly compelling.

Casino Jack does include some obvious caricatures. In one scene Rep. Tom DeLay is berating Abramoff with an obscenity-laced rant, only to modulate his tone when he realizes a man of faith is in the room with them. To the filmmakers, the religious right can be a nasty bunch, men who cling to their religion for show purposes.

And we’re constantly reminded of Abramoff’s connections. The camera lingers over pictures of him with heavy GOP hitters like President George W. Bush and Newt Gingrich, and the script makes it clear Abramoff had others like them on his speed dial. Even when the film is scoring political points — some justly earned — it doesn’t lose sight of the entertainment factor. That’s something all but missing in political misfires like Fair Game, Lions for Lambs, and Rendition.

The film does add some gratuitous slams against George W. Bush near the end, an unnecessary swipe that goes against the tone established through the rest of the movie.

Director George Hickenlooper, the cousin of Colorado Governor-elect John Hickenlooper, who died at age 47 a few weeks beforeCasino Jack’s nationwide release, keeps the tone surprisingly light despite the various crimes and a man viciously attacked with a ball point pen.

What’s more impressive is how much information comes across without bogging down the narrative. Consider the longer, and more dense, documentary on Abramoff’s crimes released earlier this year. Casino Jack and the United States of Money might be a more enriching take on the scandal. But Spacey and Hickenlooper’s Casino Jack proves the movie industry is still capable of taking a politically loaded topic and bringing it to the screen with its colorful personalities intact.

Editor’s Note: For a very different take on Casino Jack, don’t miss this recent edition of Poliwood on PJTV.

Two-time Academy Award winner Kevin Spacey lifts his fork from his plate of lox and eggs and jabs it in the air. Tucked away in a back booth at Art’s Deli in Studio City, he recounts his monologue from the opening scene of the black comedy “Casino Jack,” which opens Dec. 22 at the Century 20 El Con.

The film is inspired by the true story of the disgraced right-wing former super-lobbyist and Orthodox Jew Jack Abramoff, whom Spacey portrays.

In that scene, Abramoff wields not a fork but a toothbrush as he informs a bathroom mirror that as a result of “a só-load of reading and studying and praying,” he’s come to some conclusions that he’d like to share, ostensibly with the reporters and FBI agents circling him.

“You’re either a big leaguer or you’re a slave clawing your way onto the C train” is one of them.

“You say I’m selfish — f—- you,” is another. “I give back, plenty.”

Later he says, “I’m humbly grateful for the wonderful gifts that I’ve received here in America, the greatest country on the planet! I’m Jack Abramoff and, oh yeah, I work out every day.”

Spacey portrays a hubris-filled, over-the-top character — the real lobbyist really did brag about his exorbitant fees and about working out every day — but director George Hickenlooper also envisioned him as a kind of empathetic anti-hero.

Casino Jack Opening Monologue Questions

Hickenlooper died unexpectedly last month at 47 of what appeared to be natural causes, two weeks before his scheduled interview with The Jewish Journal. But he detailed his journey to “Casino Jack” in his introduction to the published screenplay, including the myriad hours he spent interviewing Abramoff at the Maryland prison where he was serving time on counts related to defrauding Native American tribes, the purchase of gambling cruise boats and other charges.

“Casino Jack” is, according to Hickenlooper’s account, a kind of first-person opera, from Abramoff’s point of view.

In the film, the mega-lobbyist wheels and deals, but also davens, lays tefillin and is passionate about his family and funding charities, including a short-lived all boys’ Jewish day school, The Eshkol Academy. The character reveals that he was motivated to become a “real” Jew as a secular teenager in Beverly Hills after seeing the film version of “Fiddler on the Roof.”

Abramoff’s mob-connected associate, Adam Kidan (a hilarious Jon Lovitz), seeks to insult the

lobbyist by calling him a “fake Jew.”

“Maybe no one would want Jack Abramoff to be humanized, but that’s my job,” said Spacey, who also met with Abramoff in prison. “I don’t sit in judgment of the characters I play.”

Casino Jack Opening Monologue Last Night

In fact, Spacey has earned awards and kudos playing nuanced, morally ambiguous characters in such films as “American Beauty,” “The Usual Suspects” and “L.A. Confidential,” among his myriad roles in film and theater.

For the Journal interview, it was his choice to meet at Art’s “because I do tend to like delis — I grew up in the Valley — and this is where I’m more comfortable than some chi-chi fab restaurant that everyone says is the greatest place on earth.”

Spacey hates the term “Hollywood” — “That’s a city,” he opined, and he isn’t into the culture of “who’s hot and who’s not.”

In 2003, Spacey settled in London to serve as artistic director of the Old Vic Theatre because he “wanted to change my life.”

In person, the 51-year-old actor is by turns droll, cerebral and charming, but he doesn’t mince words. Asked whether some viewers might perceive “Casino Jack” as whitewashing Abramoff, he pointedly replies, “What does that mean?”

Apparently some Republican observers were concerned that the film might do the opposite, given that Spacey is a prominent Democratic activist and a poker buddy of President Clinton’s. Spacey even portrayed Al Gore adviser Ron Klain in 2008’s “Recount,” another dark comedy about politics — one reason Hickenlooper wanted him for “Casino Jack.”