• 1996 Epiphone Casino Peerless No Deposit
• 1996 Epiphone Casino Peerless Parts

As djg714 said, it's really for the Sheraton and Casino, and sometimes for Dots. In particular, people look for the ones made in the Peerless factory, though the other MIK ones often go for a bit higher than used MIC models as well. Some people seek out MIK Epiphone SGs and Les Pauls, but not to the same degree as the Sheraton, Casino, and Dot. Epiphone Casino - Epiphone - world famous quality since 1873 (1976) 1976 relaunch of the Epiphone Casino from Japanese music magazine Music Life. This is the first of the Epiphone reissues of 1960s instruments, and although never reissued, it also shows a 1960s Epi. The Casino has been around for decades, first brought to worldwide fame by the Beatles. Since then, Epiphone’s production has moved around the globe a few times, first from America to Japan, then to Korea and now China.

The Epiphone Sheraton is a thinline semi-hollow body electric guitar. Though the Sheraton and all its variations were introduced under the ownership of the Gibson Guitar Corporation, Epiphone is the exclusive manufacturer.

History[edit]

Under the ownership of Epaminondas ('Epi') Stathopoulo, Epiphone was a leading manufacturer of hollow-body and archtop guitars. Epi Stathopoulos died in 1943. Control of the company went to his brothers, Orphie and Frixo. In 1951, a four-month-long strike forced a relocation of Epiphone from New York to Philadelphia. The company was bought out by their main rival, Gibson in 1957. In 1958, Gibson began to expand upon its Epiphone line of semi-hollow guitars. They reworked Epiphone's old Century archtop into a thinline electric fitted with a single P-90. This was followed by the introduction of a twin-pickup, double-cut thinline semi-hollowbody, the Sheraton. Epiphone guitars were made by Gibson up until 1970, when production moved to Japan, and major design changes began to occur.

Design evolution[edit]

Gibson used the same body for the Sheraton as it was using for its new ES-335, ES-345, and ES-355 models. It featured the same double rounded horns, and had similarly placed electronics. The Sheraton was fitted with a set glued-in neck, in accordance with Gibson's standard practice. Distinguishing characteristics of the Sheraton included its multiple body binding (like that of its top of the line Gibson cousin, the ES-355); its Frequensator tail piece; and its headstock and fretboard inlays. Unlike any of the semi-hollowbodies in the Gibson line, the Sheraton's headstock featured Epiphone's traditional fancy vine (or 'tree of life') inlay on its headstock, while its fretboard featured a block and triangle (or 'V') inlay of mother-of-pearl and abalone, as well as binding on the fretboard's surface, inset slightly from the outer edges.

1958 Epiphone Sheraton introduction specs:Thin body, double cutaway, semi-hollow with solid maple block down center; 2 Epiphone 'New York' (single coil) pickups; 2 volume and 2 tone controls with white 'carousel' knobs, and a pickup selector switch; tune-o-matic bridge with no retainer wire; gold plated metal parts; Frequensator tailpiece or Bigsby vibrato; bound tortoise-shell pickguard; Epiphone 'E' tuners; multiple bound top and back; single bound rosewood fingerboard; abalone/pearl block 'V' fingerboard inlays, neck joins body at 19th fret, 5-piece neck (from remaining Epiphone-built inventory) has a 'V' chunky back shape; tree of life pearl peghead design; sunburst or natural finish.1961 Sheraton specs:Parts begin to change to Gibson-made parts. The pickups are changed from the New York single coils to mini-humbuckers, knobs become gold gibson bonnet knobs, tuners become Grovers. Serial number now pressed into the back of the peghead between the D and G tuners, in addition to being on the blue Epiphone label in the bass 'f' hole. The new Epiphone 'Trem-o-tone' adjustable vibrato tailpiece is introduced.1962 Sheraton specs:Production changes from NY-made Epi necks to Gibson-made mahogany necks. Cherry red finish introduced (this will remain the rarest Sheraton finish throughout Gibson's production period of the 1960s). 'Epiphone' script inlay on headstock becomes more streamlined in appearance.1963 Sheraton specs:Peghead shape becomes more elongated. Binding on fretboard moves to outer edges (no longer inset).1965 Sheraton specs:Sunburst finish becomes more two-tone (tobacco to amber).Late 60's to 1970:Neck width narrows to 1 9/16', as on many Gibson-made guitars of the era.

Sheraton production totals (data from 1961 to 1970 only):Cherry - 53Cherry w/vibrato - 20Natural - 59Natural w/vibrato - 49Sunburst - 243Sunburst w/vibrato - 197

In 1970, production ceased in U.S., and began in Japan. Mini-humbucking pickups were discontinued on the Sheraton, changing to standard full-sized humbuckers; serial numbering system changes. Body and headstock shapes began to evolve, as they will continue to do throughout the 1980s and into the 2000s, as production also shifted from Japan to Korea. Korean build manufactured up until at least 2012 however serial numbers changed to an all number type after 2008. To tell if it's Korean built, it will have the following prefix:I=Saein, S=Samick, U=Unsung, and R or P=Peerless and if all number type serial number will be identified (Unsung for example) as '21' as the 5th & 6th numbers.^[1][2]

Foreign Manufacturers:

• Matsumoku, Japan 1979 - 1986.
• The Elite / Elitist Sheraton, Terada Japan 2002 - 2008.
• The standard Korean Sheraton, made in Korea from 1997 - 2006
• The standard Chinese Sheraton made in China from 2008–present

Sheraton II[edit]

The 'Epiphone Sheraton II' was introduced in 1986, and featured only one major difference, the 'Frequensator' tail piece (which was only available on only certain models) was now replaced by a fixed stop bar. The 'First Release' (original) Sheraton II 're-issue' became much more popular than the original^{[citation needed]} Epiphone's high end guitars, the elitist line, includes a Sheraton, although the Machine Heads (tuners) were less than 'desirable'. Unlike the 'original' line of Sheraton guitars, which used the New Yorker style 'humbucker' pickups, the Sheraton II used the Gibson U.S.A. 'full-sized' 'Gold Plated' style humbuckers. Currently original Sheratons are rare^{[citation needed]}, but Sheraton II's are still in production and are readily available, although the specifications have changed immensely, including the change to 'Grover' Machine Heads (tuners), has been a big improvement.

The most recently manufactured Sheratons were John Lee Hooker signature models.^[3] Recently the vintage sunburst finish that many Sheratons are made in has changed colour from a black on deep red colour (shown right) to a black on orange-yellow colour.^[3]

Endorsement[edit]

Oasis guitarist Noel Gallagher has owned several Sheratons, including an early model featuring mini humbuckers and a frequensator with a customized Union Jack paint work. Following this, Epiphone produced the Noel Gallagher Supernova (which was actually a variant of the similar Epiphone Riviera, rather than the Sheraton) and was made available to the public with a Union Jack, Manchester City blue, Cherry Red or Black Ebony finish. In 2014, Epiphone produced a Union Jack Ltd Edition Sheraton (limited to 1000). Though this is not an official signature guitar, it is much closer to Gallagher's Union Jack Sheraton, although with two noticeable differences. The blue of the Union Jack is darker than on Gallagher's guitar, and only features the Union Jack paintwork on the front, opposed to the whole of the body. Brian Aubert, frontman for the Silversun Pickups, has a modified Sheraton with silver hardware. Furthermore, the Epiphone Sheraton 2 has been used by Kings of Leon lead guitarist Matthew Followill. Ezra Koenig of Vampire Weekend plays a Sheraton II almost exclusively. Also, Ted Leo of Ted Leo & The Pharmacists used one for many years. Most notably, the Sheraton and Sheraton II were the main guitars used by blues legend John Lee Hooker. Epiphone introduced a signature John Lee Hooker Sheraton and Sheraton II in 2000, the year before his death.^[3]

Notable Sheraton players[edit]

• Matthew Followill of Kings of Leon has multiple sheratons in different finishes.
• John Lee Hooker mainly used a Sheraton.
• Drake Levin of Paul Revere and The Raiders used a cherry red Sheraton.
• Ted Leo used a Sheraton for many years.
• Ezra Koenig plays a natural Epiphone Sheraton (no pickguard).
• Noel Gallagher played a Sunburst Sheraton and a Union Jack painted Sheraton. Epiphone released two 'Supernova' guitars based on Noel's preference for the Sheraton body.
• Paul Arthurs has owned several Sheraton’s in the past but is more often seen using the similar Epiphone Riviera.
• Brian Aubert plays a modified Sheraton.
• Tom Delonge plays an ebony Sheraton II in the 'I Miss You' music video by Blink 182.
• Aaron Dessner of the National plays a Sheraton.
• Randy Randall of No Age plays a Sheraton.
• Ben Nichols of Lucero has played a natural Sheraton II for many years.
• Gem Archer of Oasis plays a cherry Sheraton.
• Dino 'Zero' of Stolen Car plays an ebony Sheraton.
• Graham Day of The Prisoners plays a Sheraton.
• Jens Lekman plays a sunburst Sheraton II.
• Scott Thurston of Tom Petty and the Heartbreakers
• Shimon Moore (ex-frontman) of Sick Puppies plays an ebony Epiphone Sheraton II.
• Shane Theriot uses Sheraton II, current Hall and Oates guitarist.
• Heath Fogg of Alabama Shakes plays a Sheraton II.
• Mark Boyle of Valhalla uses a Sheraton II.
• John Primer uses a Sheraton II.
• Mike Graff of Course of Empire played a black Sheraton II with gold hardware and bigsby before it was stolen in 2000.
• Dax Riggs of Acid Bath, Agents of Oblivion, Deadboy and the Elephantmen and currently his solo project under the name Dax Riggs. He plays a white Sheraton II with gold trim.
• Devon Snow of Dysfunctional Coasting uses a Natural Sheraton II
• Tom Turci plays an 1980's Epiphone Sunburst Sheraton II
• Mick Cripps of L.A. Guns can be seen playing Epiphone Sheraton in “Rip ant tear” video. Model he used was “Epiphone by Gibson' Sheraton II 1986-1988 era.

External links[edit]

References[edit]

1. ^http://epiphonewiki.com/index.php/Epiphone_Serial_Number_Decoding.Missing or empty title= (help)
2. ^'The Guitar Dater Project - Epiphone Serial Number Decoder'. www.guitardaterproject.org. Retrieved 2016-02-18.
3. ^ ^abcd'Epiphone Sheraton II'. Epiphone.com.

PROS: Great fit and finish; fantastic neck; highly responsive and articulate P90 pickups.
CONS: None.
PRICE: $599 w/out case

The Casino has been around for decades, first brought to worldwide fame by the Beatles. Since then, Epiphone’s production has moved around the globe a few times, first from America to Japan, then to Korea and now China. While some aficionados maintain that the Korean-made Epis of the 1990s were better made than the contemporary models coming out of the brand’s Chinese facilities, this reviewer begs to differ. The production-line Casinos being produced today, in 2014, are perhaps the finest in the brand’s long history.

Fit and finish are immaculate – the binding, the fret edges, the neck contour, the pickup routing. We were incredibly impressed by the aesthetics, even more so since it came in our preferred “natural” finish. What sets the Casino apart from other 335-style guitars is its completely hollow body (no sound block here like on the Dot) as well as its single-coil pickups (as opposed to Gibson/Epi’s standard humbuckers).

1996 Epiphone Casino Peerless No Deposit

Those two factors alone give the Casino a lighter, more articulated tone. We greatly preferred the detail and clarity we heard when A/B’ing it against similar guitars with semi-hollow constructions and full humbuckers. Those sounded a bit muddier to us – and yes, while they had a louder output and will perhaps overdrive an amp quicker, the P90s (yes, the stock pickups) in the Casino are so incredibly versatile, we couldn’t fine a genre they didn’t fit into with ease.

The age-old problem of feedback was even a non-issue. We picked up a tiny bit of squealing just once, and never again; no need to stuff the sound holes. So all in all, if you’re in the market for a mid-range guitar that can pretty much tackle any job you throw at it, test-drive the new Casinos and fall in love like we did.

FEATURES

1996 Epiphone Casino Peerless Parts

• Body: 5-ply maple with basswood top bracing
• Neck: mahogany
• Neck Joint: 16th fret, Glued-in
• Fingerboard: rosewood with parallelogram inlays and 22 medium jumbo frets
• Fingerboard Radius: 12”, 24.75” scale
• Nut Width: 1.68″
• Neck Profile: SlimTaper “D”
• Pickups: Epiphone P-90T and P-90R